论文标题:中国古代早期的独幕剧
Studies of Protective Effects and Mechanisms of Gross Saponin of Tribulus Terrestris on Myocardial Ishemia
论文作者 陈爽
论文导师 黄强,论文学位 硕士,论文专业 中国古代文学
论文单位 扬州大学,点击次数 147,论文页数 76页File Size3446k
2004-05-01论文网 http://www.lw23.com/lunwen_1034737/ 羊脾脏蛋白;酶水解;多肽;体外抗氧化活性
Sheep spleen protein;Enzymatic hydrolysis;Polypeptides;Antioxidation activity in Vitro
明初杂剧尽管出现过短暂的繁荣，但传奇的兴盛，已取代杂剧而成为大众喜闻乐见的戏曲形式。在这种背景之下，“短剧”作为杂剧的一种新样式出现，且有众多作家参与其中，有其必然原因。本文选取明代一折短剧作为研究对象，以期能对它的存在作一个客观的分析。 全文前有导论，后有结语，中间分四个部分： 第一部分，论述明代一折短剧的诞生。探讨一折短剧的前形态，试图从戏曲艺术发展和当时时代文化的需求等方面去考察其产生的原因，并对首创者王九思、第一个一本四折短剧《四节记》、一折短剧的弘扬者徐渭分别论述。 第二部分，研究万历中期以前一折短剧的创作。这个时期是明代一折短剧的发轫期。着重探讨这个时期创作的概况及演出状况，以及这个时期所表现出的文学精神及艺术追求。 第三部分，研究万历中期及以后一折短剧的创作。这个时期是明代一折短剧的发展期。探讨明代一折短剧后期的创作概况，同时通过对照前期的创作，寻求其由场上走向案头的客观原因。 第四部分，列出明代一折短剧的总目，我们可以对其存佚的状况有个总体的了解。 明代一折短剧在明代剧坛上占有不可忽视的地位。明人祁彪佳《远山堂剧品》，总计著录杂剧二百四十二种。其中，一折杂剧计六十七种，除去误记，应为六十六种，约占总数28％。明人沈泰辑录《盛明杂剧》，分初、二两集，共收明代杂剧六十种。其中一折杂剧计二十三种，占到总数38％强。这都是明人记明事。明代一折杂剧在明人著录和辑录明代杂剧时，都占着极大的份量和十分抢眼的位置，足见其重要的地位。 就目前学术界情况看，由于它在明代为非主流的戏曲形式，历来学术界对其研究甚少。本文在研究上首先力求全面。在尽量搜集有关资料的基础上，充分利扬州大学硕士学位论文用这些资料。其次力求系统，拟按时间先后为序对明代一折短剧的发展作出考察，做到脉络清晰。同时对运用的资料进行细致认真的辨析，力求去伪存真。通过这些工作，应该能对明代一折短剧的产生和发展有一个客观的认识。
Zaju (multi-act plays) had a short flourishing period in Ming Dynasty. However, Chuan Qi (romance fiction) soon took its place and became more and more popular. Duanju (short plays) appeared on the stage as a new form of Zaju, absorbing multiple playwrights" work. The thesis chose "single-scene" Duanju from Ming Dynasty as research subject, in order to find out the true reason for its existence.The thesis is consisted of four parts with a prelude and a conclusion.The first part is about the emergence. The reasons why this new play-form appeared are clearly expounded by studying the pre-form of Duanju, the development of drama art and cultural need in Ming Dynasty. The study focused on Wang Jiusi, the creator of this new play form, the first play named "Si jie ji", and Xu Wei, the advocator of the play form.The second part is about the creation of a Duanju. It happened in the beginning of Wanli period, which was the initial stage of Duanju. A tentative analysis was made on the play writing, shows, literature spirits and its art value.The third part studied Duanju in Mid Wanli period. Mid Wanli is the development period for Duanju. By comparing plays from early Wanli period and those from mid Wanli period, the author explained clearly why Duanju finally disappeared from the stage.In the fourth part, we listed all the Duanjus in Ming Dynasty and summarized the history of Duanju on the stage.Position of "single-scene" Duanju in Ming Dynasty is not ignored. A man named Qi Biaojia whose work named "Yuan shang tang ju pin" compiled Zaju of two hundred and fourty-two. There was sixty-six among them, 28 per cent. Sheng Tai whose work named"Sheng Ming Za ju" compiled Zaju of sixty. There wastwenty-three among them, 38 per cent. These thing were record by men of Ming Dynasty. So it"s position is important.In the light of academic circles of present situation, since Zaju lost its dominant position in Ming Dynasty, not much research was ever done on this topic. The thesis strive to comprehensive study in the first. On the basis of gathering relevant datum, I make full use of it. Second,the thesis strive to systematic study. Development of "single-scene"Duanju of Ming Dynasty is studied in the order of the time. At the time, the used datum are differentiated and analysed carefully, try to eliminate the false and retain the true. Through the work, we must understand the emergence and development of "single-scene"Duanju of Ming Dynasty.
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