论文标题:20世纪现代中国文学同性恋叙事的文化阐释
The Culture Explanatory of Homosexual narration of Chinese Modern Literature in 20th Century
论文作者 王晓文
论文导师 朱德发,论文学位 硕士,论文专业 中国现当代文学
论文单位 山东师范大学,点击次数 141,论文页数 58页File Size12141k
2005-04-20论文网 http://www.lw23.com/lunwen_135069982/ 同性恋文化; 人物流变; 叙事模式; 文化意义
homoerotism culture; character development; narrative pattern ;culture meaning
同性恋是一种源远流长的生理——心理——社会现象,随着人类社会的产生而出现并一直延续到今天。国外将同性恋者称为“酷儿”(queer)。这一概念指的是在文化中所有非常态的表达方式,这一范畴既包括男同性恋、女同性恋和双性恋的立场,也包括所有其他潜在的、不可归类的非常态立场。选择这个在当下语境和国情中比较敏感的话题作为论文的选题是比较头疼的一件事,至今,在国内对这个问题从文学的角度进行研究和评论的很少,几乎是空白。只是有为数不多的社会学专著和一些零星的文字介绍,但是既然选择了就只好硬着头皮做下去。本文着重20 世纪同性恋文学文本的文化分析和叙事的阐释。20 世纪中国现代文学(包括影视文学)描写同性之爱的文本不在少数,特别是当代文学中涉及此类题材的更多。本文拟在文学、文化的范畴中来梳理一下20 世纪中国文学同性恋文本的结构脉络和发展,通过分析具体的有代表性的文本中的人物形象及叙事结构来展示同性恋叙事中的话语特点,探讨一下同性恋/异性恋叙事的异同和其中蕴含的文学价值。尽量绕开道德伦理的判断标准,从文学和人性的基准出发,从社会分析和历史发展的角度解释来理解同性相恋的文化意义。毕竟在文化的大范围中任何一种文学样式都是知识分子对现实的反映和隐喻。全文分三个章节。第一章:同性恋文本中的人物流变在20 世纪现代中国文学的发展史上,同性恋叙事只能算是“旁门左道”,是在“传统的、自然的”异性恋叙事模式的强权遮蔽下的一朵“奇葩”,或者干脆称之为“恶之花”。主要从三个方面进行阐释。(1)现代文学中的同性恋文化现象。郁达夫的《她是一个弱女子》和沈从文的《虎雏》为个案进行文化阐释。主要分析文本中所设计人物的性格特征及其同性相恋的心理、社会和自身因素及作家在当时的境遇中涉及此类现象的文学意义。(2)当代文学中的同性恋叙事。以王安忆的《弟兄们》为阐述的契机,透视当代文学的创作中是如何认识和理解同性恋这种文化现象的。(3)电影文学中的同性恋叙事。电影作为文化经验的视觉/心理表达,其在90 年代文化语境中的具体境遇,显然构成了今日中国文化进程
Homosexuality is a physcial,psychological and a social phenomenon with a long histry,which came into being and continued as the human histry .Homosexuality is called queer abroad .This comcept refers to all abnormal ways of expreession,which includes not only positions of lesbians , gays,and double sexuality but some other potential and abnormal positions that can’t be classified. It’s sort of a headache to choose the relatively subtle topic under the current context and national situation as the title of this paper .So for the study and comment from literary perspective on this matter is little ,almost blank .There are only a few sociological works and some scattered materials for reference.This paper focused on the cultural analysis of homosexual literature context and the interpretation of narration in 20th century.In chinese modern literature (including the film literature)contexts which describe the love between same sex is not rare ,especially in contemporary.The paperaimed to draw an outline of the fram and develepment of chinese homosexual contexts in 20th century literature and to discuss the differences and similarities in narration of homosexuality/sexuality and the literary valve impliedinit by the analysis of some classical comtexts characters and discourse features. The paper interprets and comprehends the cultural signifconce from a viewpoint of society and histry based on the literature and humanism but try to avoid the moral criteria.After all ,any type of literary patterrs in a big scale of culture is the reflection and metaphor of reality from intellectuals.There are three chapter in this paper. Chapter one: transfer of characters in homosexual contexts In the development histroy of modern chinese literature in the 20th century, homosexual context could only be considered as “the crooked thing”(heretical seet) “a wonder”by the power of the model of “traditional. natural”sexual contexts or we can directly call it “the flower of evil”we can explain it from three perspectires:(1)sexual culture in modern literature :here we use YuDafu’s she is a weak woman and ShenCongwen’s Hu Chu as the particular case to explain the sexual culture in them, focusing on the characteristics of the people designed in the text ,the mentality society and personal elements of the homosexuality and the literary significance of the writer’s touching up such phenomenon at that time.(2)homosexual contexts in the temporary literature we will take WangAnyi’s Brothers as an example to view how the autural pheonomenon of homosexuality are recognized and understand in the writing of the temporary literature.(3)the homosexual contexts in the film .As the visual/mental expression of cultural experience, the story of film in the cultural context of 20th century are obviously one of the direct signifier in the development of chinese culture. ChenKaige’s Farewell My Concubine and zhang zhi liang’s The Comb By Oneself as example ,from the angle of culture to illustrate the film how to reflect the homoerotism. The second chapter: the homoerotism narrative pattern Analyze the narrative type of the homoerotism narrative and the homoconstruct and difference of the isomerism narrative from the text narrative angle basically.(1)Faggotry narrative pattern the novel of Wang Xiaobo the heartthrob like water , which is chosen to be analyzed. From the text contruct .we can discuss the meaning of literature and narrative and basically analyze the human carefulness of author and the chinese culture metaphor.(2)The female homoerotism narrative pattern. The novel of Chen Ran The broken and the novel of Sun Huifen The two women of Xiema mountain village are to be analyzed. From the female homoerotism phenomena ,we talk about the meaning of history and culture .(3)The twin sex narrative pattern. The novel of Yu Dafu She is a delicate woman and the nove of Diao Dou how much sex are human are be analyzed basically, and put in order the narrative method and text contruct from the modern times to the contemporary ear ,and look into the g
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