论文标题:二十世纪20～40年代的中国艺术歌曲
Chinese Art Song between 1920s to 1940s
论文作者 赵华
论文导师 朱东生,论文学位 硕士,论文专业 音乐学
论文单位 西北师范大学,点击次数 848,论文页数 51页File Size2287k
2003-06-01论文网 http://www.lw23.com/lunwen_271052/ 中国艺术歌曲,形成,发展,特征
Chinese art song,formation,development,characters
二十世纪20—40年代是中国艺术歌曲形成和发展的重要时期。它诞生于五四新文化运动时期，发展于20—40年代，并通过萧友梅、黄自为代表的作曲家们的创作与探索，使其形成了中国艺术歌曲创作的繁荣时期。中国艺术歌曲在内容、题材上的多形态和在形式上的继承与创新，标志着这一时期中国艺术歌曲的高起点和高水准，并且表现出这一形式在20世纪中国音乐文化中所起的重要作用。 本文主要从“纵”、“横”两方面进行论述：纵的方面，包括中国艺术歌曲的产生与发展，并对其原因做分析和解释；横的方面，对中国艺术歌曲的内容和音乐进行分析，认为中国的作曲家们在内容的选材上并不象欧洲浪漫主义时期的作曲家那样带有明显的个人痕迹或自我的因素，而是通过这一音乐形式来表达对社会与生活的关注和责任感。音乐创作中，在高度吸收了德奥艺术歌曲的优秀成就同时，将其与中国传统文化进行有机结合，从而使中国的艺术歌曲在艺术形式上充分体现了东、西方音乐文化的融合，并具鲜明的中国特色。
Originated in New Culture Movement, nurtured between 1920s and 1940s, Chinese art song has been engaged in a critical periods, which was flourished by the research and exploration represented by Xiaoyoumei and Huangzi. Its various patterns in story and theme as well as its heritage and innovation in style symbolize the high standard and strict beginning at that time, putting a high value on Chinese musical culture in 20th century.Two aspects have been totally discussed in the article. Horizontally, It starts from the development and appearance of Chinese artistic songs, including reasons. Vertically, the story and the style have been analyzed, which claim that there is no apparent personal trace or individualism compared with their European counterparts in Romanticism. Actually, they show their concerns and responsibility on society and life through this musical style. In addition, Chinese composers combined essence of highly absorbed Austrian and German art song with Chinese traditional culture. Thus, a considerable degree of Chinese characters was represented in its artistic style.
|
