论文标题:叙事文学史上的三级跳
Application of Cohesive Ties and Chains in Chinese College Students" English Writing
论文作者 胡琳
论文导师 朱宪生,论文学位 硕士,论文专业 比较文学与世界文学
论文单位 上海师范大学,点击次数 142,论文页数 39页File Size2053k
2004-04-01论文网 http://www.lw23.com/lunwen_307005227/ 叙事技巧;人物狂欢;史诗距离;文体
narrative skills;characters carnival;epic distance;style
荷马史诗、《汤姆·琼斯》和《尤利西斯》代表了西方叙事文学史上三个重要的发展阶段。在漫长的文体演变过程中，每一个后者都对前者在叙述时间、叙述视角、叙述模式上进行叙事距离的破坏；在审美上，从荷马史诗到《汤姆·琼斯》，再到《尤利西斯》的人物逐渐亲昵化，狂欢化，使人物形象逐级跌落，缩短了崇高与卑微、史诗与长篇小说的距离，也冲击了审美的主导思想。在破坏史诗的叙事距离和审美距离的基础上，《汤姆·琼斯》颠覆了史诗的音节格律，并对典雅用语脱冕，《尤利西斯》则进一步对词语脱冕，使语言狂欢化，并通过对历史上各种文体的讽拟，跨越进一种新的文体——使旁人至今无法模仿和超越的文体。本文以米·巴赫金的“历史文化诗学”、“狂欢化理论”和热拉尔·热奈特的叙事理论为主要参照系，从叙事技巧、人物狂欢、文体跨越三个方面来考察这一纵向的发展。
Homer"s epic, Tom Jones and Ulysses are representatives of the three important stages in the history of western literature. During the long evolution of style, each follower destroyed its predecessor"s narrative distance in terms of narrative time, narrative angle and narrative model. Characters had been lowering in aesthetics step by step from Homer"s to Tom Jones till Ulysses by means of gradual familiarization and carnivalization. That reduced the distance between loftiness and meanness as well as that of epic and novel. The dominant ideas of aesthetics were impacted also. Based on destroying the narrative distance and aesthetic distance of epics, Tom Jones overturned the syllable and rhyme of epics , belittled refined phraseology, while Ulysses further belittled words and carnivalized language. Meanwhile, by way of parodying various styles in history Ulysses strode across a new style which nobody else could imitate and surpass till now. This thesis intends to discuss the vertical development from narrative skills, characters carnival and strides in style, mainly with the reference of Mikhai 1 Bakhtine"s historical culture poetics and carnival theory, and G6 rade Genette"s narrative theory as well.
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