论文标题:格萨尔史诗图像及其文化研究
The Review of Study of Wen Xuan in Ming Dynasty and Qing Dynasty
论文作者 徐斌
论文导师 降边嘉措,论文学位 博士,论文专业 中国少数民族语言文学
论文单位 中国社会科学院研究生院,点击次数 112,论文页数 93页File Size9196k
2003-04-01论文网 http://www.lw23.com/lunwen_32285182/ 道德目的论;审美化;作为伦理学的美学;主体;自由
moral aims;aestheticize;aesthetics as ethics;subject;freedom
史诗是记载“民族记忆”的书，表现着民族的精神、记载着民族的历史文化，体现着民族的审美。图像是史诗文化、史诗精神、史诗功能的综合载体，是史诗丰富内涵的外化形式，对于史诗的研究有着重要意义。本文旨在从史诗图像这一新的视角寻译出史诗内容、史诗功能的文化内涵，并对史诗图像自身的发展作一初步研究。 本文除绪论外分四个部分。 第一章《史诗图像资料》。史诗图像资料工作的现状是，一方面经过几代人的辛苦付出，部分史诗图像资料得以幸存，但由于相关的研究工作滞后，这部分资料没有得到系统整理，散存在国内外，面临着再次湮失；另一方面，随着史诗传承的文化生态环境发生变化，不可避免地，围绕着史诗产生的许多文化事象也在随之消失，史诗图像就是其中一例。如今已很难找到史诗说唱中使用图像的事例，甚至史诗图像本身也成了弥足珍贵的文物。在此情况下。笔者通过资料查阅、田野调查。对史诗图像资料进行了一次较为系统的收集整理，补充了部分新资料。由于本文研究立足于这部分资料，也由于资料工作对于后续研究的重要性，笔者专辟一章介绍，并进行了资料分析。 第二章《史诗图像内容研究及与文本内容比较》。笔者依据内容将史诗图像分为两大类，一为叙事类图像；二为画像类图像。叙事类图像又分表现格萨尔生平的绘画和表现史诗故事情节的绘画两种。笔者分两节。每节或三小节或二小节，有选择地就掌握的资料对这几种类型的图像作了内容解读，与史诗文本内容进行了比较。并对内容解读中认识到的问题进行了探讨。 第三章《史诗图像使用及其文化内涵》。依据史诗图像在史诗说唱中的功能，将史诗图像的用途确定为在说唱前举行的仪式中的使用和说唱中的使用，也就是看图说唱两种。探讨了两种不同的使用方式及其不同的历史文化背景，得出两种不同的使用方式分别代表不同的文化传统的结论。 本文最后一章是《史诗图像渊源探讨》。笔者探讨了史诗图像的民俗性、写实性。尝试着就史诗图像中动物身形的十三战神，及格萨尔人物造型与西藏战神、多闻天王战神的渊源流变进行了初步考证。
Epic is the book recording the memory of Nationality , manifesting the spirit of the Nationality, recording the its history and culture, embodying its esthetic judgment. Pictures are the comprehensive carrier of culture, spirit and function of Epic, as well as the external form of the rich connotation of Epic, it" s very important to the research work of Epic. This article will interpret the contents of Epic and the culture connotation of the function of Epic from a new point view of of the Epic - pictures, making initial research of the development of the Epic - pictures.Besides the preview, this article is divided into 4 chapters.The fiist chapter, [the information of Epic - pictures].The current situation of the information work of Epic - pictures: on the one hand, some of the information survived through the hard work of several generations, but because of the delayed research work, these information haven" t been documented systematically. It" s scattered inside or outside China, facing the danger of disappearing for the second time, on the other hand, with the change of culture biological environment of Epic inheriting, lots of culture phenomena of Epic are unavoidably disappearing, the picture is one of the examples. It" s not easy to discover the use of picture when singing the Epic, even the picture itself became the precious culture relic. Under this circumstance, the writer tried to document the picture information of Epic in a systematic way through the field investigation, information collecting, and added some new information.Since the article is based on above mentioned information, and its importance for continued research in the future, one special chapter specialized in introducing and analyzing these information.The second chapter, [the content research and compareration of Epic - pictures].The writer divided the Epic - pictures into two: the descriptive ones and the painting ones. Descriptive ones are sub - divided into biographic pictures of King Cesar and those of the story plots. By two sections, each section into 2 or 3 small parts, the writer will interpret selectively the contents of different kinds of the pictures, compare with the contents of the Epic, and make inquiry into the questions arising from interpreting.The third chapter, [the use of the Epic - pictures and its culture connotation].According to its function in Epic singing and speaking, the use of picture is defined as for the ritual before singing and for the singing itself (sing and speak looking at the pictures). approached the different ways of use, the history and the culture background, getting the conclusion that two ways of use represent different cultural traditions.The last chapter, [approaching the origin of the Epic - pictures]Making inquiry of the folk - custom and realistic characteristics of Epic - pictures. trying to make textual research of the origin and circulating of 13 animal - bodied warriors, King Ceasar characterization, Tibetan warriors, King Duowen warriors.
|
