论文标题:权力·话语·政治文化
Power·Speech·Political Culture
论文作者
论文导师 陈坚,论文学位 博士,论文专业 中国现当代文学
论文单位 浙江大学,点击次数 89,论文页数 118页File Size11072K
2008-04-01论文网 http://www.lw23.com/lunwen_32639547/
一种文艺话语“说了什么”、“该不该说”固然很重要,但更为重要的是:如何言说、因何言说、言说意义。嵌入时代政治的文化坐标,追问夏衍的话语文本,追索夏衍的话语实践,追寻它们出现在当时特定的时空坐标和社会文化语境中的意味,进而抽象出他在批评和创作中的思想特征、功能观和方法论。论文通过话语权力和文化生产、社会生活空间之间错综复杂的同构与对抗关系,挖掘外在身份和潜意识分别主导下的话语实践和创作主体之间的复杂关系。除绪论和结语外,共分七章。其内容主要包括: 第一章“政治文化、权力话语和实践主体”。就研究方法和视角展开适度的论析和清理,并对一些核心概念和理论命题进行适时地界定和阐释。 第二章“摇摆于战士与诗人的文艺之路”。主要从政治文化心理和个性情感特点的角度去分析夏衍复杂而细微的内心世界,“立功”,如魔笛般蛊惑着他;“童心”,似“精灵”般守护着他。由此来分析夏衍作品中诗意的现实主义风格的形成和发展,开掘夏衍在创作的自由状态与理论认知的智性规范的双重要求下呈现出的多重乃至矛盾的思想意蕴。 第三章“话语策略与文体选择”。主要从话语实践的策略性出发探讨夏衍的文体选择。具体包括:结合他的文艺翻译活动,阐析夏衍自己从读者到作者的转型,梳理他的翻译文本在现代精神的启蒙,作家思维方式的养成,读者审美趣味的熏陶,文学表现领域的开拓,文体范型与创作方法技巧的示范引导等方面的作用;探究主张“大众化”和“通俗化”的夏衍如何冷落了诗歌、小说;考察夏衍如何借助评论和戏剧等敲响了战斗的边鼓。 第四章“文学的政治想象”。主要分析夏衍对未来美好生活图景的描画。通过文本中各类“组织”形象,剖析“组织”在社会生活中的引导性功能;通过忧郁时代人们的沉沦与挣扎解析“屋檐下”情结;在对苏联和新中国的叙述中分析其国家想象;通过夏衍笔下“英雄和小人物”形象分析,来探讨夏衍对人与人性的关注。 第五章“被规训的激情”。笔走龙蛇几十载,一腔豪情藏露间。主要分析夏衍文艺热情与革命热情之间的转换,以及情感表述在不同时段的表现,从中读解政治文化如何制约了夏衍的话语方式。 第六章“修史与辩白”。本章从党和政权的合法性证明和夏衍在新时代的身份焦虑两方面来剖析他的“修史”行为,分析他如何在国家话语叙述中有机且有效地纳入个人的动机,从而在“修史”活动中重拾个人的地位和信心,利用过去的革命史来强化自己在当下的权力合法性。 第七章“同构衍生的互文性文字”。本章将夏衍的各种文本对照起来阅读,通过文本间踪迹的追寻,挖掘夏衍写作中多元文化、多元话语相互交织的事实。文本之间或投射、或浸溶,或批评、或否定、或校正、或调整的关系形成一种互射和对话,呈示出了写作的深广性及其丰富而又复杂的文化内蕴和社会历史内涵。同时也可触摸到夏衍受制于当时政治文化而呈现出的复杂的创作心理。 政治是一种“行动的人生”,文化却是“静观的人生”。话语是永远无法独立自足的,话语之场就是权力运作之所。个体的话语实践对社会政治文化霸权的附丽或疏离是20世纪的夏衍所面临的话语困境,实为现代化过程中的中国有良知的知识分子共同面临的问题。
It is no so much as what is or should be signified as how to or for what reason it is signified. This dissertation focused on the significance of Xia Yan"s work within the cultural coordinates of a certain political background to search for the its notion under specific time, space and cultural background for further abstraction of his philosophical, functional and methodological tendency in his works as well as critics. The dissertation is hereunder divided into seven chapters: The first chapter: Political Culture, Power, and Subject of Practice. This chapter examined the methodology and research angle, as well as defined and explained a number of core keywords and theoretical proposition The second chapter: Dangling Between the Role of a Fighter and the Road of a Poet. This chapter analyzed the complicated inner world in a micro way in the direction of political cultural psychology and individual emotional feature. He was always under the temptation "to win awards", which appeared to him occasionally like a magic flute; meanwhile, "an ignorant children"s heart" was protecting him like "a little elf. He was indulged in the freedom of writing as well as the intellectual thinking of the theoretical understanding, which paradox was reflected in the multiple, even conflicts of the texts. The third chapter: Option of Speech Strategy and Writing Style. This chapter launched the discussion of Xia Yan"s writing style choice by analyzing the speech strategy. His translation of foreign literature works marked a sharp turn of Xia Yan from a reader to a writer. This chapter highlighted the trace of enlightenment of modernity in his translation works, how the writer"s thinking habits were formed, influence of readers" interests, his expansion in the exploration of writing methods, the introduction and application of writing style patterns and t writing techniques. This chapter also gave light on how Xia Yan, in favor of "publicity" and "popularity", intentionally ignored poems and novel to drum for the national combats with critics and dramas. The fourth chapter: Political Imagination of Literature. This chapter described Xia Yan"s blueprints for a beautiful future. In this chapter, various images of "the organization" were given detailed analysis for its introductory function in social life, people"s struggle in the depressive time was featured to explain the complex of "under the roof, his imagination about the state was abstracted from the narration of U.S.S.R. and new China, and the analysis of his "heroes and small potatoes" was used to illustrate his thoughts about human and humanity. The fifth chapter: The Restricted Passion. This chapter discussed the alternation of his passion for literature and that for revolution, as well as the demonstration of his emotional expression to annotate how political culture restricted his speech manners. The sixth chapter: Pack up the History and Plea for Innocence. This chapter concentrated on his work to "pack up the history" to give justification of the Nation and the Party as well as his anxiety of personal identity in the new times, to manifest how personal motivation was inserted into the national speech to rebuild self-identity and faith so that the present power was finally justified by quoting the past history of revolution. The seventh chapter: Isomorphic Intertextuality. This chapter compared myriad texts of Xia Yan, traced the intertextual, multicultural and fabric of diversified speeches to display mutual dialogue between reflection, integration, criticism, denial, correction, and adjustment, which contained the deepness of writing and fulfillness of cultural and social historical significance as well as the complicated writing attitude of Xia Yan under current political culture. Politics is the "actional life" and culture is the "actionless life". Speeches are never self-contained while presence of speeches is the action of power. Xia Yan"s dilemma to attach or alienate individual speech practice to the social political and cultural hegemony in the 20th century was encounter by most reasoned Chinese intellectuals during the course of modernization.
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