论文标题:黑格尔戏剧美学思想评述
A Study on Animal Words from Illocutionary and Cognitive Perspectives
论文作者 孙云宽
论文导师 岳介先,论文学位 硕士,论文专业 美学
论文单位 安徽大学,点击次数 284,论文页数 54页File Size3086k
2004-05-08论文网 http://www.lw23.com/lunwen_43126477/ 黑格尔;戏剧美学;情境;冲突;和解
Hegel;dramatic Aesthetics;circumstances;conflict;compromise
黑格尔的戏剧美学思想植根于西方戏剧美学传统之中，是对自古希腊、罗马时期至德国古典时期戏剧美学思想的批判、继承、发展与创新，并结合其本人丰富的艺术欣赏实践与严密辩证的哲学修养，形成了一个全面、深刻、总结性的思想体系。这一体系内容丰富，涉及创作理论、表现方式、创作者等剧本创作理论，涉及演员表演、舞台艺术等戏剧表演理论，还涉及悲剧、喜剧、正剧等戏剧类型与历史方面的相关理论。其中关于剧本创作原理、剧作家与现实生活的关系、剧作家所追求的真实、舞台艺术的综合性以及悲剧和喜剧诸方面问题的论述尤为深刻，极富独创性与启发性。黑格尔戏剧美学思想正是以其全面性、深刻性起到了继承传统、启示后世的作用，是德国古典美学时期总结性的戏剧美学思想体系。 这一体系的基本特征表现为以伦理实体为中心，以古希腊戏剧为范本，轻东方，重西方，坚持古代中心论与西方中心论，坚持永恒正义胜利论与艺术消解论。之所以具有这些特征，一是和黑格尔所处的具体历史环境有关：十八世纪末至十九世纪中、后期正是资本主义在欧洲风起云涌的时期，黑格尔在欧洲特别是德法两国的急剧发展变化中既感到恐慌，又感到欣喜。这种对于新事物的恐慌使其趋于保守，回避矛盾，希翼以伦理道德的提升代替革命达到改造社会的目的；而欧洲大发展特别是普鲁士实力急剧膨胀的事实又使他在欣喜之余开始鄙视东方，以一种优越的眼光打量东方戏剧。二是和黑格尔的生活经历有关：他自小研习拉丁语言与文化，有一种对于代表拉丁文化的古希腊文化的偏爱，这种偏爱在目睹资本丰义给戏剧发展带来的种种不便时变得更加强烈，而艺术消解论也是在对资本主义这种一般世界情况失望之余作出的消极结论。
Hegel"s idea of drama aesthetics roots in the tradition of western drama aesthetics. It is criticizing , inheriting,developing and innovating to the idea of drama aesthetics from the period of ancient Greece and Rome to the classical period of Germany. It combines with Hegel"s rich arts appreciation experience and philosophical attainment of tightness and dialectic and, forms a system of wholenss, profoundness and summarization. The rich sysetm involves creation theory,manifestation form and creator of script creation theory and, actor"s performance and stage arts of drama performance theory and also, tragedy, comedy and townsfolk drama of relative theory of drama"s kinds and history, ect. Among these theories, script creation principles, the relation between playwright and real life, tureness pursued by playwright,stage arts" comprehensiveness and tragedy & comedy are expounded with profoundness, novelty and inspiration. Hegel"s idea of drama aesthetics does play the role of inheriting tradition and inspiring followers for its wholeness and profoundness and is conclusive drama aesthetics in the period of classical Germany.The basic characteristics of this system demonstrate as treating ethics as the center, treating ancient Greek drama as model, underestimating eastern drama, overestimating western drama, treating ancient age and the west as the center, persisting in the theories of the perpetual justice"s victory and arts" dying out. Reasons for these characteristics are firstly, the specific history condition Hegel livng in. It was capitalism"s rising period in Europe from the latter 18th century to the middle and the latter 19th century. Hegel felt panic-stricken and also, bright facing the fast development and change in Europe, esp, in France and Germany. On the one hand, the panic to new things made Hegel tend to be conservative, evade contradiction and hope to replace revolution with the promotion of ethics for the purpose of social transforming; on the other hand, the fact of Europe"s great development, esp. Germany strength"s fast expanding, made Hegel despising the east and eastern drama with brigheness and superiority complex. The second reason for these characteristics relates to Hegel"s experience. He studied the language and culture of Latin from his childhood and had partiality for Latin culture"s model-ancient Greek culture. The partiality became more strong facing all sorts of obstruction in capitalist society for drama development and, the theory of arts" dying out was also a negative conclusion made under the condition of being disappointed of capitalist general circumstances.
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