论文标题:论清朝时期的建筑绘画
Discussing the Architectural Painting in Qing Dynasty
论文作者 刘娟
论文导师 檀东铿,论文学位 硕士,论文专业 美术学
论文单位 福建师范大学,点击次数 81,论文页数 49页File Size5969k
2005-04-01论文网 http://www.lw23.com/lunwen_52628007/ 清代;民间建筑画;宫廷建筑画
Qing Dynasty; folk architectural painting court;architectural painting.
清朝时期的建筑绘画是继宋元之后在历史上形成的又一个高峰。清朝各种不同的历史条件如经济的繁荣,宫廷的支持,园林建筑的盛行以及欧洲绘画的传入等都构成了建筑画在清代得以振兴的特定背景。清代建筑画是以民间建筑绘画和宫廷建筑绘画两条主线来发展的,不管是在建筑画表现的题材内容上,还是在技巧技法上都有迥别于历代建筑画的独特特色。虽然由于文人画在清代的快速滋长,限制了建筑画的发展,以及建筑画受到欧洲绘画的影响变得越来越科学化,从而背离了中国画精神,使得建筑画在清代末逐渐衰落,但清代建筑绘画仍不乏有它独到的研究价值,它对研究清代建筑艺术形象及折射当时社会、文艺的发展变化都是大有裨益的。
Architectural painting in Qing Dynasty is another peak of the developing course after the times of Song and Yuan, of which the specific backgrounds of the revitalization consist of all kinds of historical conditions, such as the economic prosperity, the support of the court of Qing Dynasty, the prevalent for garden building and Europe painting"s introduction. Its development spreads with two ways: one is folk architectural painting and the other is court architectural painting. It has unique characteristics distinctively different from those in past dynasties, either in expression theme or technique. Because of the fast growth of literati painting and the influence of Europe painting, it is more and more scientific but deviates from Chinese painting spirit, and declines gradually in the late of Qing Dynasty. However it doesn"t lose its original research value. It is very beneficial to study the artistic image of the buildings in Qing Dynasty and refracts the development and change of society, literature and art.
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